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J A M E S     M I C H A E L     S T A R R




 

MY CURRENT WORK holds the sombre and self-righteous vocabulary of assemblage at gunpoint, forcing it to serve the graphic, transient vernacular of contemporary visual culture. I'm interested in the contradictions: barely three-dimensional models of fleeting images we all seem to recognize – like old animated cartoons – but which we inexplicably feel we must now take seriously.